fter the American Revolution, American
merchants lost the protection the British
navy gave to their ships on the seas. In 1785, the
loss of that protection took on real meaning when
the Ottoman regency of Algiers captured two
American merchant vessels and took their crews
into captivity. Over the next decade, American
diplomats tried to establish treaties with the four
Barbary states (Morocco, Algiers, Tunis, and
Tripoli) so that no more American ships would
be captured, though around a dozen more were
captured in the intervening time. In the late 1790s,
all four states agreed to treaties with the United
States, but the demands in those treaties were a
steep price for the United States to pay.
The Barbary states had been operating a protection
racket in the Mediterranean for hundreds of years;
in exchange for leaving a nation’s ships alone, the
Barbary rulers insisted on being paid money and
gifts, sometimes at regular intervals but more often
upon the slightest pretext. The United States had
neither the resources nor the patience to keep up
this system indefinitely. Beginning in 1794, the
federal government made halfhearted preparations
to send a naval force to the Mediterranean to take
care of the problem by force, but undeclared war
with France between 1798 and 1800 got in the way.
When the navy finally left for the Mediterranean in
1801, Tripoli had already declared war.
1801
When the first squadron arrived in the
Mediterranean in July 1801, the United States
was no longer at peace. On May 14, 1801, Yusuf
Karamanli had ordered the flagpole cut down at
the American consulate in Tripoli, a signal that he
had declared war. In response, on July 23, William
Eaton, American consul at Tunis, announced in a
circular that Tripoli was officially under blockade,
anticipating Commodore Dale’s probable strategy.
In principle, Dale agreed with Eaton’s actions,
writing to the Secretary of the Navy, “Should the
United States Determin to carry on the War against
Tripoli it will be highly necessary to keep it closly
Blockaded.”
When the squadron arrived in July, the commodore,
Richard Dale, was surprised to learn that war had
been declared. That change meant the plans that
had been laid had to change. Given the difficulties
of the task, it is not surprising that during Dale’s
command no decisive action occurred. For this first
cruise, there was little that could be done aside from
cruise off Tripoli and convoy merchants from one
end of the Mediterranean to the other. With only
three frigates and a schooner in the squadron, each
ship had more than enough to keep it busy.
THE FIRST
BARBARY WAR
2
A
ENTERPRIZE V. TRIPOLI
Once all the ships were assigned to a task, only
one frigate was left to actually do the blockade of
Tripoli. The President was meant to maintain the
blockade along with the Enterprize. As it turned
out, between sickness, bad weather, and ship repairs,
the President spent almost no time before Tripoli.
The one action of any consequence during the first
squadron’s cruise was accomplished not by one of
the frigates, but by the schooner Enterprize on its
way to Malta to get water for the President.
The encounter between the Enterprize, captained
by Andrew Sterett, and the 14-gun, 80-man Tripoli
was a promising start for the American squadron.
On August 1, 1801, while flying British colors, the
Enterprize sighted a ship. When Sterett asked what
the ship was doing, its commander replied that
it was out “to cruise after the Americans.” Upon
hearing this reply, Sterett hauled down the British
colors, which he had been sailing under in order
to deceive any potential threats, and raised the
American flag, firing muskets into the Tripoli. The
Tripoli fired a partial broadside in return.
The fight lasted about three hours, during which
time the Tripolitans attempted to board the
Enterprize three times. Each time the crew and
marines repulsed them. The Tripoli’s captain
also tried a strategy that most sailors considered
dishonorable: striking his colors and then resuming
the fight. The third time the Tripoli struck, Sterett
disregarded the surrender and ordered the vessel
to be sunk. Eventually the Tripoli’s crew “cried for
mercy,” and Sterett ordered their officers to come
on board the Enterprize. He refused to board the
Tripoli with his own officers, lest this cry for mercy
be yet another trick.
After lying about the destruction of their boat, the
Tripolitans eventually came over to the Enterprize
and revealed the extent of the devastation Sterett
and his crew had wreaked. Twenty of the eighty
crewmen had been killed, with another thirty
wounded. The captain and first lieutenant had
been wounded, and the second lieutenant and
surgeon killed. The Tripoli itself suffered so much
damage that it was almost unable to be sailed,
“having received 18 shot between wind and water.”
By contrast, the Enterprize had suffered almost
no structural damage and none of the crew were
injured at all.
Because Sterett’s orders did not permit him to take
an enemy ship as prize, he had to let the Tripoli go,
but not before he cut down its masts and threw all
its guns overboard. In practical terms, this victory
meant little, but it purportedly demoralized the
Tripolitans so much that all the sailors who were
to man other corsair vessels deserted them instead.
On the American side, it helped to throw popular
opinion behind the use of force against the Barbary
states.
STALEMATE
Capitalizing on the Enterprize’s victory proved
impossible. The difficulty of maintaining peace with
the other Barbary states, and maintaining a very
small squadron far from supplies and manpower,
proved barriers too high to overcome.
As winter fell, the American squadron gave up even
the pretense of blockade. Sailors’ enlistments were
3
coming to an end, and the squadron’s ships one
by one were ordered home. The war with Tripoli
was in stalemate, relations with the other Barbary
states were fragile but holding, and despite the
Enterprize’s victory, the Americans had generally
demonstrated that they were only a lesser power in
the Mediterranean community.
1802
The first few months of 1802 saw little activity from
Dale or his squadron. Hamstrung by ineffectual
orders and serious repairs to his ship, Dale spent
the winter of 1801-1802 in Toulon. Dale himself
prepared to head back to the United States, as his
term as commodore was up. The Secretary of the
Navy prepared to send a new squadron in order to
arrive in time to re-engage with Tripoli once the
winter weather cleared.
However, back in the United States there were
delays in forming the new squadron. When
Dale and the President returned home, the next
commodore had not yet even left the United States.
At least there was a new commodore, though:
Richard Valentine Morris.
With his confidence in the navy’s skill waning,
William Eaton, erstwhile consul at Tunis, began
to take matters into his own hands. He and James
Leander Cathcart, the displaced consul at Tripoli,
came up with a plan to reinstate Hamet Karamanli,
the older brother of the reigning bashaw, Yusuf
Karamanli. Yusuf had deposed Hamet some years
previous, and Hamet had fled to Egypt. Now Eaton
and Cathcart wanted to bring him back.
When Richard Valentine Morris finally arrived in
the Mediterranean, he found that relations with
Morocco were at a breaking point. Several tense
weeks resulted, though consul James Simpson at
Tangier was able to finally talk the Moroccan sultan
into a fragile peace.
In June 1802, an American vessel, the Franklin
was captured by a Tripolitan cruiser. The crew
of the vessel was sent to Algiers, where the
Americans had to rely on the good graces of the
British consul in Algiers and the Danish consul in
Tripoli, Nicholas Nissen. Eventually Algiers took
a hand in redeeming the captives, an outcome
that only weakened the American position in the
Mediterranean.
Since Richard Valentine Morris seemed disinclined
to act against any of the Barbary powers with force,
other captains in the squadron stepped up. Morris
spent almost no time on the blockade of Tripoli.
The two who took the lead most frequently were
also the most irascible: Alexander Murray and
Daniel McNeill. Murray and McNeill made no
secret of their disdain for procedure or for their
allies.
As the year 1802 came to a close, relations with
both enemies and allies were more fragile than ever
before. Morris’s apathy did not go unnoticed. In
1803, the commodore was ordered home to face a
court-martial for dereliction of duty.
1803
1803 was a year of considerable diplomatic turmoil
4
in the other Barbary states as well as Tripoli.
From the very beginning of the year, Commodore
Morris could not keep up a show of strength in
relations with Algiers and Tunis, capitulating to
their demands or putting them off as best he could.
Consul James Simpson believed that Morocco
was colluding with Tripoli to break the American
blockade, and subsequent events gave rather more
credence to that belief.
After an abortive attempt to negotiate with Tripoli,
Morris returned to Malta (where his wife and new
baby were residing). He would not leave Malta
again for any significant length of time during
his tenure. Meanwhile, James Simpson tried
desperately to keep the peace in Morocco.
Commodore Morris’s replacement, Edward Preble,
arrived in Gibraltar on September 13, one day after
Morris received his recall papers from one of the
advance ships in Preble’s squadron. Morris returned
home to face a court-martial for his apathetic
leadership, while Preble had to begin to try to patch
things back together. His first task was to deal with
the Morocco problem. It was increasingly clear that
Morocco was helping Tripoli, and Preble had to
find a way to stop it. It took Preble nearly a month
to restore peace with the emperor.
CAPTURE OF THE
PHILADELPHIA
On October 31, the focus of the war suddenly
shifted from Morocco to Tripoli. While cruising off
Tripoli, the Philadelphia had sighted a Tripolitan
vessel. Pursuing the vessel into Tripoli harbor,
the frigate had run aground four or five miles
east of the town. Despite cutting away anchors,
guns, and even the foremast, the crew could not
lift the Philadelphia off the bar. Four hours of
fire from Tripolitan gunboats and shore batteries
convinced Captain William Bainbridge that he
could not hope to defeat them. Around sunset, the
Philadelphia struck its colors and the ship’s crew
were taken prisoner.
Though several European nations rallied to the
aid of the American prisoners, there was little
Commodore Preble could do. Without diplomatic
representation in the Tripolitan court, he had to
rely on the generosity of others, particularly the
Danish consul Nicholas Nissen, to provide for
the captives. Any retaliatory action would have to
wait until spring when the weather improved. As
the year ended, Preble did get some good news:
the Enterprize and the Constitution had captured
a small Tripolitan ketch named the Mastico. They
renamed the ketch the Intrepid and began to make
plans for it.
1804
Throughout the war, certain consuls became
convinced that a naval war was not going to end
the war on favorable terms for the United States. In
1804, William Eaton increased his work to find a
different solution: reinstate the deposed brother of
the reigning bashaw, and negotiate a more favorable
treaty with him.
Hamet, the deposed older brother of Yusuf
Karamanli, liked Eaton’s plan in principle, but
Eaton found Hamet extremely challenging to work
5
with. Reports were that Yusuf ’s hold on Tripoli
was loosening, so the time was ripe to bring Hamet
forward. But Hamet, despite requesting money and
supplies repeatedly, could not be convinced to begin
the journey toward Tripoli.
While Eaton worked with Hamet, Commodore
Preble re-evaluated the navy’s strategy. He
concluded that blockading was not sufficient, so
he began to make plans to also bombard the city
of Tripoli. But first he had to take care of the
Philadelphia problem.
On February 16, 1804, a handpicked group of men
under the command of Stephen Decatur took the
ketch Intrepid to Tripoli harbor, accompanied by
the Syren. The Intrepid slipped into the harbor
and up to the side of the Philadelphia. As quietly
and quickly as possible, the sailors boarded the
Philadelphia, set charges and then got off. The ship
burned to a hulk, so brightly that Syren’s crew, miles
away, could see the flames.
This action did little tactically or strategically, but
it improved morale tremendously for the American
sailors in the Mediterranean. But the next course
of action was simply to resume the blockade, a
task Preble intended to perform with much more
stringency than his predecessors. After preparations
for months, Preble was finally ready to take the full
squadron to Tripoli.
On August 3, the squadron engaged the Tripolitans
off the port of Tripoli. The Americans lost no ships
and only one officer, and they took many prisoners.
After the battle, Preble stayed off Tripoli for a
month waiting for the bashaw to communicate
with him. When nothing was forthcoming, Preble
decided to try yet another approach.
The Intrepid once again proved its worth, as
Preble ordered it converted into a fireship, which
Lt. Richard Somers volunteered to pilot into the
harbor and then detonate near the Tripolitan ships.
The next day, after loading the Intrepid with the
explosives, Somers and a small crew began to sail
the ketch into the harbor. The crew was supposed
to light a small fire to distract any Tripolitans who
might try to stop them, but instead, as the Intrepid
reached its destination, the entire ship blew up
prematurely while the crew was still on board.
The entire crew was killed, including Midshipman
Henry Wadsworth, who had been in the
Mediterranean longer than almost any other officer.
Shortly after the Intrepid disaster, Commodore
Preble had to return home. Though the loss of the
ship had been a morale blow, Preble had at least
ratcheted up the pressure on Tripoli. His successor
would have to try to capitalize on some of that
success.
1805
The new commodore who arrived at the end of
1804 was in no condition to capitalize on Edward
Preble’s success. The commodore, Samuel Barron,
was so sick he could barely sail, and the American
ships were scattered throughout the Mediterranean
to make much-needed repairs and find supplies.
Though Barron would not be on board, he ordered
the President, the Constitution, and the Constellation
off Tripoli for a cruise. The Nautilus was to cruise
6
off Tunis after a quick convoy trip. The Essex was
ordered to Venice, where Captain James Barron was
to try to acquire gunboats from the government
there. Commodore Barron was not sanguine about
Captain Barron’s chances, but since Naples had not
worked out, he felt he had no choice. While the
Essex, Constitution, and President prepared for the
cruise in Malta, they were met by the Nautilus, who
brought in a Tripolitan brig.
Captain John Rodgers felt that the time was
quickly approaching to strike the death blow to
the Tripolitans. Tripoli’s fleet of gunboats had not
increased since the winter, and Rodgers wanted
to strike before the circumstances changed. But
other than infrequent chases, the squadron saw
little activity in their cruise before Tripoli. The
real action was happening nearly 600 miles away,
where William Eaton and a ragtag band of warriors
prepared for an assault on Derna.
WILLIAM EATON AND THE
SHORES OF TRIPOLI
On December 1, 1804, William Eaton and a small
American force of marines arrived in Rosetta,
Egypt, preparing to find Hamet. Successfully
navigating the political landscape in Egypt proved
complicated for Eaton, but eventually he was able
to find Hamet and rendezvous with him outside
Alexandria on February 5. It wasn’t until February
23 that the two came to an agreement about the
plan for the coup and the promised results.
On March 4, Hamet and Eaton’s company, now
numbering about 400 since some local warriors
had joined them, began the march across the desert
to Derna in Tripoli. Derna wasn’t the capital of
Tripoli, but Eaton hoped a victory at Derna would
put enough pressure on Yusuf to turn the tide.
As they marched, the numbers of men waxed and
waned, as various group became disgruntled and
left, or heard about the coup and wanted to join.
After meeting up with the Argus on April 16, the
men were resupplied and began to plan the attack
on Derna.
Eaton’s forces started the attack on Derna around
2:00pm on April 26. By 4:00pm, they had taken
the fort. It was a significant victory for a largely
unorganized and uncooperative group. However,
once Eaton’s company took Derna, their momentum
disintegrated. Eaton realized now that Hamet could
not be trusted to continue the campaign on his
own, so he felt obliged to stay and see the operation
through. The navy felt no such compunction. Barron
and Lear had concluded that Hamet Karamanli
now should be left to his own fate, and the newly
appointed Commodore John Rodgers agreed.
PEACE
Even before the news of Derna’s fall came, Yusuf
Karamanli was putting out feelers for peace. On
May 29, he sent a messenger to negotiator Tobias
Lear with an opening offer. On June 10, the peace
treaty was officially drawn up. After meeting with
the bashaw on June 20, Commodore Rodgers
weighed anchor from Tripoli on June 21 along with
Colonel Lear. Peace with Tripoli had been restored.
—Dr. Abby Mullen
7
he Shores of Tripoli is my first game design.
I never expected to be a game designer,
but in 2016 I received a copy of Thomas Jefferson
and the Tripoli Pirates (by Brian Kilmeade and
Don Yaeger) and became fascinated by the First
Barbary War. I was shocked that there was not a
game on this episode of Early American history.
I did a little more research and realized that this
topic would make an excellent game.
The Shores of Tripoli was destined to be a card-
driven game. From the classic We the People,
to heavier titles like Sword of Rome and Here I
Stand, to two of my all-time favorites, Twilight
Struggle and 1960: The Making of the President, I
have been enamored with how card-driven games
can convey so much history and yet be so fun to
play. I knew that I wanted The Shores of Tripoli to
be educational—that after two or three plays, a
player would have a good grasp of not only the
history but the choices and challenges for both
the United States and Tripolitania. The best way
to do that was with small individual decks for
each nation—unlike in a game with a shared
deck, where a side may not see some of its most
interesting cards, with individual decks each
player will see their best cards and the crunch is
when and how to best use those cards.
The victory conditions for the United States were
easy to determine. After three years of frustration,
the United States stepped up its blockade and
hatched a plan to replace Yusuf Qaramanli, the
Tripolitan bashaw, with his pro-American brother
Hamet Qaramanli. The pressure convinced Yusuf
to sign a treaty favorable to the United States.
Thus, the Treaty of Peace and Amity and Assault
on Tripoli cards. For Tripolitania, the goal was to
have the American price in blood or treasure too
high so the Americans would capitulate and start
paying tribute again. Thus, the winning conditions
for Tripolitania. With only a maximum of
twenty-four turns, the tension in Tripoli comes
from each side having too much to do and not
enough time to do it. I am very pleased with
the excitement near the end of the game, when
Tripolitania is racing to get its twelfth gold or
sink the fourth American frigate before the U.S.
can play its Treaty card or its Assault card.
In designing the game, I wanted to emphasize
that Tripolitania was a rational actor and that
the First Barbary War was not “the first war on
terror.” It was a state versus state conflict like
so many others of that time. There were some
key episodes in the war that I knew I wanted to
communicate. The initial arrival of the American
fleet into Gibraltar with the Americans not
knowing if they were at war or peace, the rather
dismal partnership with Sweden in blockading
Tripoli, the threat of entry into the war by Algiers,
Morocco and Tunis, the capture and subsequent
burning of the Philadelphia, and the capture of
Derne. I also wanted to make sure the key figures
made their appearance—Qaramanli and Reis for
Tripolitania and O’Bannon, Eaton, Sterett, Preble,
Decatur and Bainbridge for the United States.
I would have liked to have included a card for
Richard Somers, who died while commanding the
Intrepid, but the 27-card limit did not allow.
8
DESIGNER’S
NOTES
T
In addition to being educational, I also wanted the
game to be approachable. Nothing pleased me more
during in-person play testing than to see a couple
play against each other or a parent play with an
older child—and everyone having fun. I knew that
the game needed to play in an hour or less and have
simple mechanics. The presentation also needed to
be outstanding—hence, the solid wood pieces and
beautiful map and cards. But at the same time, the
game also needed complex decision-making and
solid replayability. The perfect blend of simplicity
and complexity is a difficult needle to thread, but I
hope we succeeded.
I did have to make some trade-offs between
historical accuracy and playability. For example,
the American fleet consisted of frigates, brigs
and schooners but I treat all the American
ships as frigates. The main Tripolitan fleet was
a hodgepodge of vessels that I standardized as
“corsairs.” Sweden had already declared war on
Tripoli in 1800 and exited the war in 1802, while
in the game the earliest they leave is 1803. I also
had to create some alternate history cards for the
potential assault on Tripoli. General Eaton Attacks
Benghazi, Assault on Tripoli, Marine Sharpshooters,
and Send in the Marines, as well as Constantinople
Sends Aid are all cards from that alternate history.
Similarly, the Algerine, Moroccan, and Tunisian
cards represent the threat that Tripoli’s allies posed
to the United States, but their allies did very little
during the actual war. Finally, to allow each player
a bit more freedom to explore their options and
strategies, the game can go until the end of 1806,
whereas the war itself ended in June of 1805.
Thank you so much for buying The Shores of Tripoli.
I am very grateful for the assistance provided by
the U.S. Naval History and Heritage Command,
the Marine Corps History Division, the Mariners
Museum in Newport News and the U.S. Naval
Academy Museum. I am also extremely grateful
for the hundreds of play testers who took the time
and effort to take the print and play files and build
the game and provide amazing feedback. Finally, I
really appreciate all of the Kickstarter backers who
put their money and faith in our project. Thank you
everyone!
SUGGESTED BIBLIOGRAPHY
In addition to Thomas Jefferson and the Tripoli
Pirates, ABC Whipple’s To the Shores of Tripoli:
The Birth of the U.S. Navy and Marines and Joshua
London’s Victory in Tripoli: How America’s War with
the Barbary Pirates Established the U.S. Navy and
Shaped a Nation both provide good overviews of
the conflict. I am also a fan of Osprey Publishing’s
“Essential Histories” series and their The Wars of the
Barbary Pirates by Gregory Fremont-Barnes does
not disappoint.
For more in-depth reading, Chipp Reid’s pair of
books Intrepid Sailors: The Legacy of Preble’s Boys
and the Tripoli Campaign and To the Walls of Derne:
William Eaton, the Tripoli Coup, and the End of the
First Barbary War are both outstanding. Ian Toll’s
Six Frigates: The Epic History of the Founding of the
U.S. Navy is a masterpiece on the early history of
the U.S. Navy. Benjamin Armstrong’s Small Boats
and Daring Men: Maritime Raiding, Irregular
Warfare, and the Early American Navy is an excellent
survey of maritime raids and irregular warfare
from the first fifty years of American naval history.
There are plenty of biographies to choose from but
the two I recommend are Edward Preble: A Naval
Biography 1761-1807 by Christopher McKee and
A Call to the Sea: Captain Charles Stewart of the USS
Constitution by Claude Berube and John Rodgaard.
Finally, watch for Abby Mullen’s A Difficult
Undertaking: Conflict and Cooperation in the First
Barbary War, 1801-1805, coming in 2022.
9
If you are interested in podcasts, “Sea Control” by
the Center for International Maritime Security
(www.cimsec.org) and “Preble Hall” by the United
States Naval Academy Museum (www.usna.edu/
museum/) are both fantastic. “Sea Control” has
some excellent episodes on both naval history
and war gaming. “Preble Hall” has a number of
outstanding episodes, but my favorite is EP3:
The Tripoli War with Dr. Abby Mullen. The two-
episode special collaboration between “Sea Control”
and “Preble Hall” is also not to be missed.
—Kevin Bertram
CREDITS
Game Design and Development: Kevin Bertram
Art and Graphic Design: Cathy Bock, Marc
Rodrigue, Matthew Wallhead
Historical Essay: Abby Mullen, Ph.D.
Naval Advisor: Robert Bishop, USNA ‘64
Executive Producers: Bret Baier, Dan Fellhauer,
Jason Matthews, Ruben Rodriguez, Paige Terrill,
Austin Woodruff
Senior Playtesters: Alison Bishop, Katherine
Bishop, Janice Day, Jason Matthews, Trevor Reed
Playtesters: Martin Akerlund, Bill Allen,
Jonathan Allred, Elizabeth Anderson, Samantha
Anderson, Bob Arhaus, Nathan Arnold, Sandra
Atwater, Noah Ban, Mike Banks, Tom Barbe,
Giorgio Barbero, Andrew Baron, Roy Bartoo,
Doug Bass, Patrick Beben, Kevin Berent, Mark
Biggar, Corey Bishop, Chris Blackford, Marc
Blume, Kristof Bodric, Ray Bonilla, Arno Bomans,
Mik Bonsall, Jackson Boomhower, Steve Boone,
Keeley Bowers, Shawn Bowers, James Brennan,
Chris Brooks, Ryan Brown, Nikolaj Brucker, Neal
Bryan, Harold Buchanan, Gordon Burg, Scott
Burger, Deividas Burokas, Matthew Butler, Grant
Cadenhead, Thomas Cadenhead, Ty Cadenhead,
Randy Callard, James Campanella, Jerry Campbell,
Robert Carroll, Todd Carter, Simona Centola, Sean
Chick, Christine Chilcott, Ross Chilcott, David
Christians, Irwin Cohen, Forest Cole, Gabriel Cole,
John Coley, Michel Condoroussis, J.C. Connors,
Liam Connors, Grant Cooley, Sarah Cothran, Wes
Cothran, Andrew Lorenzo Cozzi, Aidan Curran,
Jason Covault, Patrick Crowley, John D’Alton,
Daniel Daley, John D’Alton, Justin Davis, Howard
Dawson, Charles Day, Joris Debien, Michael
Debije, Alexandra De La Cruz, Stefan DeMarchi,
Willis Dell, Paul DiCocco, Carl DiNardo, Lisa
DiNardo, Brian Dixon, Scott Dixon, David
Donahue, Kathleen Donahue, Paul Dobbins, Glenn
Drover, Herve B. Duval, Matthew Eckel, Charlotte
Edwards, Michael Edwards, Max Eisenblatter,
Fred Ellsesser, Alan Emrich, James Fardette, Ralph
Ferrari, Darryl Ferster, Jeff Finkleday, Maurice
Fitzgerald, Glenn Flaherty, Jared Frandson, Steve
Froud, Ray Garbee, Michael Germano, Robert
Germano, Danielle Giordano, James Griffith,
Hernando David Gomez, Nicolas Govin, Jack
Greene, Steve Guepet, Dan Gunther, Sandeep
Gupta, Lucy Guritza, Jack Guritza, John Guthrie,
Eric Hallstrom, Pavel Hammerschmidt, James
Hammes, Gabriel Hansberry, Nathan Hansen,
Brian Hard, Dodd Harris, Michael Harris, Jason
Hathaway, Christopher Haupt, Zachary Haupt,
Jan Heinemann, John Heinlein, Graham Henry,
Luis Hernandez, Tomas Hernell, Brian Herr,
Patrick Hildreth, Sebastian Hummel, Scott Huss,
Daniel Hernandez Iniesta, Theodor Isacsson, Jonas
Lidström Isegrim, Deb Jennings, Dan Johansson,
Nate Jones, Ron Jongeling, Jay Joyner, Yani
Kalafatis, Adam Kasztenny, Autumn Katerle, Jim
Katerle, Jacob Keith, Barry Kendall, Emmanuel
Kern, Darren Kerr, Mark Kidwell, Ian Kilgore,
10
Josh Kimble, Sarah Kimble, Chris King, Chad
Kirk, Tabletop Knights, Brandon Koida, Robby
Koreman, Petros Kranias, Brian Kumanchik,
Robert Kurcina, Harold Lajoie, Cherish Lallone,
Sam LaSala, Brian Laskowski, Laura Laskowski,
Javier Lastra, Hipszki Laszlo, Gerard Law, Arnaud
Leclerc, Derek Lenard, David Lent, Steve Leonard,
Joseph Light, Chad Lindsey, Brian Loomis, Paul
Loong, Gilberto Lopez, Thomas Loquvam, Phil
Low, Thomas Lupia, Mike Lyle, Philip Manoff,
Dan Mansfield, Tyrus Manuel, Johnny Mariani,
Matt Mayse, Eric Mazelis, Noah McHugh, Jake
McInnis, Mark McLaughlin, Leo McMahon,
Jordan McMullen, Adam Meledeo, Adrian Michot,
Ryan Michot, Stephen Michot, David Mickle,
Phillip Millman, Scott Miserendino, Marina
Mishnayevskaya, Dipti Mohanan, Peter Morris,
Chad Morrison, Travis Morton, Gray Moser,
Francesco Motta, Quinn Munnerlyn, Douglas
Murphy, Jeffrey Myers, Casey Nedry, James Neeley,
Lisa Nelson, Kyle Nichols, Marcel Nijenhof , John
Noblitt, John Norris, Michael O’Connell, Joseph
O’Donnell, Brian O’Farrell, Timo Ollikainen,
Marleen Overkamp, Mark Papenfuss, Greg Parker,
Rick Pasquale, Kim Paul, James Perrett, Matthew
Philipps, Garrett Potvin, Allan Prins, Loisyann
Prost, Steve Post, Ben Pulver, Joey Rawlins, Chipp
Reid, Michael Rensink, Michael Reste, John
Retzer, Andy Reynolds, Bryan Robison, Herman
Roozen, Morris Roozen, John Ross, Patrick Ross,
Jean-Sebastien Rozon, Ben Rubin, Volko Ruhnke,
Derrick Sanchez, Andrey Sanin, Hans Saunders,
Scott Savory, Aram Schvey, Russell Schwebke, John
Scott, Roger Secrest, Gary Selkirk, Ralph Severson,
Roseann Severson, Edwin Shaw, Alex Shelton, Ken
Shows, Fred Shugars, Zoli Simon, Nathan Smith,
Dylan Snyder, Ryan Snyder, Kyla Sommers, Erin
Sparks, David Sterling, Neil Stevens, Andy Stocker,
Mike Stoodley, Paul Stouthard, Stephen Stover,
Chris Strabala, Peter Svensson, Benjamin Suan,
Andrew Symons, Lenny Talbot, Shaun Taulbee,
Paige Terrill, Brian Thiel, David Thompson, Richard
Thompson, Brian Thorvilson, Mark Tkac, Doshu
Tokeshi, Lars Toft, Eric Topp, Joel Toppen, Juanmi
Espejo Torres, Attilio Tribuzi, Ransom Trimble,
Ivan Trupkovic, Larry Underwood, Carl van Dam,
Rachel van Dam, Guy van Dille, Mike van Doorn,
Adam van Langenberg, Rob van Wijngaarden,
Antonio Vaquera, Charles Vasey, Tom Volpe,
Nathan Wagner, Aaron Walker, Evan Walter, Eri
Walters, Rich Ware, Mason Weaver, Jonathan
Webb, Michael Webb, Jonathan Weidow, Paul S.
Weintraub, Andrew Wells, Patrick Wells, Philip
Wheeler, Chris Whitaker, Brian White, Michael
White, Charles Wicklund, Nathan Wilson,
Mick Wood, Joel Wrigley, Kevin Youells, Steven
Zukowski
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